HIROSHIGE UTAGAWA I, Fujisawa e il tempio Yûgyô-ji, 1833-1834 vasi The chromatic structure of the

The chromatic structure of the glaze is difficult to define: it generates a variegated effect rich in shades

Perfect and rare impression in the second edition of two

he precisely captures that moment when the full moon and the sea

Tavola di Derrière le miroir

They were and still are used as a tool for meditation and teaching within monasteries and the homes of the faithful

HIROSHIGE UTAGAWA I, Fujisawa e il tempio Yûgyô-ji, 1833-1834 vasi The chromatic structure of theBeautiful proof with good colors. Printed on paper from Japan, dating back to the mid 19th century. In perfect condition. Complete with the engraved part. From the left, the artist's signature and seal, title of the series, and the censor's kiwame seal. The plate is station no. 7 of the series Fifty three Stations of the Tkaid (Tkaid gojsan tsugi no uchi), also known as First Tkaid or Great Tkaid. Bibliography Ukiyo e shka 14 (1981), Hiroshige list,