” The refined tones of turquoise and intense pink in the woodblock prints of the collection indeed enchant with their immediate freshness and demonstrate how Hokusai
impresso su carta Hahnemühle in complessivi 100 esemplari
riferibile alla tiratura di Eirakuya Tōshirō (inizio epoca Meiji) dai legni originali
come il Fuji che domina in alto lo spazio e dona calma alla frenesia del lavoro umano
They were and still are used as a tool for meditation and teaching within monasteries and the homes of the faithful
HOKUSAI KATSUSHIKA, Cento vedute del monte Fuji n. 48, 1835 vasi ” The refined tones ofBeautiful proof with good contrasts, referable to the print run of Eirakuya Tshir (mid 19th century) from the original woods of the Egawa workshop. Printed on Japanese paper, in excellent condition, with original untrimmed margins beyond the marginal line. Reasoned Bibliography H. D. Smith II, Hokusai: One Hundred Views of Mt. Fuji, New York: George Braziller, 1988 M. Forrer, Hokusai, London: Royal Academy of Arts, 1991 M. Forrer, Hokusai, New York: