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slightly opaque
which became renowned thanks to the Nō theater adaptation of the same title
Magnelli chose linocut and lithography as experimental workshops to translate the order already explored with the collages of the Grasse Group
color lithography became the language in which his vision found its most complete form
a stop on the road that leads from Hiratsuka
HOKUSAI KATSUSHIKA, Cento vedute del monte Fuji n. 27, 1834 vasi slightly opaqueBeautiful proof with good contrasts, attributable to the print run of Eirakuya Tshir (mid 19th century) from the original woods of the Egawa workshop. Printed on Japanese paper, in excellent condition, with original untrimmed margins beyond the marginal line. Annotated Bibliography H. D. Smith II, Hokusai: One Hundred Views of Mt. Fuji, New York: George Braziller, 1988 M. Forrer, Hokusai, London: Royal Academy of Arts, 1991 M. Forrer, Hokusai, New
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